La teoria e la pratica della enologia by Pollacci, Egidio: a rare visual excerpt of the 1872 wine & viticulture piece

La teoria e la pratica della enologia

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La teoria e la pratica della enologia by Pollacci, Egidio: a rare visual excerpt of the 1872 wine & viticulture piece
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Plain explanations of Pasteurian chemistry in Italian cellar, illustrated

Pollacci, Egidio

La teoria e la pratica della enologia

Explained in accessible terms (...).

1872, Firenze (Florence), Eugenio e F. Cammelli

Second Edition

₩443,000 KRW
Sale price  ₩443,000 KRW Regular price 
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Overview

In 8vo. Pp. [1] f.e., [6], 244, [1] r.e.

Second, corrected and enlarged edition of Pollacci's principal enological treatise, issued after the first edition had sold out and now supplied with more than forty figures in the text. Egidio Pollacci, a Pistoian professor of pharmaceutical chemistry at the Royal University of Pavia, wrote the book by commission of the Ministry of Agriculture and Commerce of the Kingdom of Italy. Its moment was early post-Unification Italy, when wine production was being recast as a scientific, commercial, and national question under the pressure of French technical and market dominance. The phrase "popolarmente esposta" (explained in accessible terms) signals the program: chemistry, cellar practice, and vineyard observation are to be made usable beyond the laboratory.

Ref. Simon, 338 (ed. 1876). Università di Pavia, Prosopografia dell'Università di Pavia, s.v. "Egidio Pollacci."

Inside the book

The book is a state-minded manual of Italian enology, joining Pasteurian fermentation theory, practical apparatus, grape selection, and quantitative vineyard data to a project of agricultural modernization. It opens with Cantoni's epigraph on Italy as a land of wine, setting a public rather than specialist aim. It classifies wines as vini da pasto (table wines) and vini di lusso o da dessert (luxury or dessert wines), then divides table wines into secchi, navigabili, fini e durevoli (dry, suitable for shipping, fine and long-keeping) for export, andanti, igienici (ordinary, wholesome) for domestic use, and lower piano (grade) wines. The main sequence moves through Classe Prima, Classe Seconda, and Terzo Gruppo (First Class, Second Class, and Third Group), with instructions on harvest timing, ammostatura (must-making), removal of stems, fermentation after Pasteur, sealed vats, follatura (punching down the cap), racking, barrel care, fining with egg white, sulphurisation, and the new chapter on white table wines. The section on artificial heating traces enological pasteurisation from Appert, Gervais, Vergnette-Lamotte, and Ridolfi to Pasteur, distinguishing gentle heating from forced heating and comparing medal-winning apparatus. Over forty in-text woodcuts show laboratory glassware, a fermenting vat in section, Perret's grilles for submerging grape marc, the chain-suspended bruciamiccie (sulphur-wick burner), and the Vianello-Carpene sulphurisation furnace. The Sienese tables name proprietors, localities, soils, varieties, and must ratios, including Bettino Ricasoli at Brolio and Chianti, with Malvasia, Canaiuolo, Alicante, and Procanico compared across estates.

Condition

Original printed wrappers, some wear and stains. Occasional light foxing; uncut. Very good.

Dimensions (inches): 9 1/4 x 6 1/4 x 3/4

Why La Fenice likes it

Cellar iconography before industrialisation: forty-plus woodcuts catch Italian winemaking at the moment craft was becoming method, from the chain-hung sulphur brazier to Perret's marc grilles, sealed vats, and laboratory apparatus. Pasteur enters the cantina, but the old tools are still on the page: modern enology takes shape before phylloxera changed the vineyard for good.

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About the author

Egidio Pollacci (1812-1879) was a Pistoiese chemist active in post-Unification Italian enology.

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