Ludicrum Chiromanticum Praetorii
1661, Leipzig (Lipsiae), Johan Bartholom Oehleri
Overview
A fascinating practical guide to chiromancy (palm reading) and other forms of divination, such as metoposcopy (reading of forehead lines) and physiognomy (analysis of facial features).
Praetorius lived during the Baroque period, when science, superstition, and philosophy frequently overlapped. He belonged to a class of learned men deeply interested in the mystical, magical, and folkloric, and he played a significant role in collecting and documenting popular beliefs and occult traditions in early modern Germany.
For this reason, he is considered a precursor to folklorists and ethnographers. His writings offer modern scholars valuable insight into the mentalities and imaginations of 17th-century Europeans.
Inside the book
The work Ludicrum Chiromanticum is divided into several parts and reflects the author’s scientific training, with repeated astrological references. As with Copernicus, Praetorius chooses to invoke the figure of the legendary Hermes Trismegistus. The first part of the work introduces the fundamental terms of “chirosophy.” The second, shorter part consists of a type of manual for recognizing destinies or events through the study of the hand (long life, short life, illnesses, violent death, etc.). The third part introduces “chirology,” asserting without hesitation that Chiromantia est scientia, and elaborates on everything only hinted at in the first part: the lines of the hand, mounts, fingers, nails, with a focus on the correct proportions of the hand. Subsequently, the author presents works by various philosophers and physicians, including Robert Fludd’s Chiromantia and the Chiromantia of Balthasar Summer and Samuel Kelner. Of particular interest is the section “Bibliotheca Chiromantica,” which lists the principal publications on the subject, such as the works of Achillini, Cardano, Cocles, Corvus, Gaurico, Göckel, Piccioli, and Tricasso. The Ludicrum concludes with a treatise on metoposcopy. Noteworthy is the richly illustrated frontispiece, showing in the lower left the figures of Hermes Trismegistus, Johannes Indagine, and Rudolph Göckel. Despite being presented as the most comprehensive treatise on chiromancy, the work was never reprinted. From: QUERINIANA CHIROMANTICA. Exhibition of ancient books from the catalogue of the Biblioteca Queriniana. Curated by Enrico Dilda, with the collaboration of Elena Avanzi, Giulia Brunelli, and Angela Valentino. Biblioteca Queriniana, Atrio Antico, 13 July – 28 August 2021. Praetorius, Johann. Ludicrum Chiromanticum, impensis Johannis Bartholom. Oehleri bibl. Lips., Leipzig, 1661. [10a.S.IV.47]
Why La Fenice chose it
The palm-reading amusement of Praetorius” - a pretty charming figure in the history of ideas - mixes popular science and (ehm) reliable sources with a touch of suspicion. It’s packed with curious illustrations that could turn you into a respectable psychic, if you believe it; if you don’t, it guides you instead through the Baroque love of all things curious and quirky. Honestly, this is exactly our vibe.