45 plates of water architecture of 16-century Rome
Maggi, Giovanni
Nuova racolta di fontane
che si vedano nel alma citta di Roma, Tivoli e Frascati
1645, Roma, Gio. Giacomo de Rossi, alla Pace all'insegna di Parigi
First Edition
Overview
This composite suite of fountain and garden plates belongs to the culture of the seventeenth-century Roman print album, preceding Falda's fountain series of the 1670s. Presented as a print collection, it serves as a visual vade mecum for the water architecture of Rome, Tivoli, and Frascati, and in the process it captures fascinating details of contemporary life, with little figures from every social class passing by the fountains. The engravers who signed the suite are Giovanni Maggi, Francesco Corduba, Dominique Barrière, and Louis (Ludovicus) Rouhier, though the plates are not the work of a single signed hand. The composition of the book is that of a publisher's palimpsest: older copperplates (several dated 1618, the year of Giovanni Maggi's death) were gathered and reissued beneath a fresh engraved title. That dating is conventional, based on the dedicatee and on the states of the constituent plates, which are dated from 1618 to c. 1623 (ref.: Berlin, Katalog der Ornamentstichsammlung, 3599).
Inside the book
The volume contains 45 original etchings on 29 sheets, including the engraved allegorical title page depicting the Capitoline Wolf with Romulus and Remus, and the personification of the River Tiber, within an architectural frame featuring a fountain and the armorial bearings of the dedicatee, Andrea Corsini. It comprises 32 etchings printed on 16 sheets and 13 full-page etchings. The sequence opens with the city fountains of Rome: Piazza San Pietro; the Acqua Felice, recording the dedication of the monument to Sixtus V; the twin granite basins of Piazza Farnese; the Mattei Fountain, or Fontana delle Tartarughe; and the Marforio. The collection proceeds through the most celebrated fountains of the period, each represented with the life unfolding around it, adding warmth and charm to the splendid monuments: children at play, adults going about their business, and dogs wandering the streets. It is simply everyday life unfolding in the margins of a seventeenth-century collection of prints devoted to the fountains of Rome. Three bird's-eye prospects close the volume: the Giardino Mattei, the Giardino del Cardinale Montalto, the Peretti Villa near Termini, and the plan of the Villa d'Este after Duperac, keyed to thirty-five fountains.
Why La Fenice likes it
A feast for art lovers, but also for anyone who delights in the small details of everyday life. The fountains may be the stars of these magnificent etchings, yet our eyes keep wandering to the margins: children at play, dogs trotting by, people at work, chance encounters unfolding in the streets. You can imagine yourself walking the streets of Seventeenth-century Rome, one delightful detail at a time.
Condition Report
[3] f.e., [29] leaves with 45 total plates (32 on 16 leaves and 13 full-page), [3] r.e.
Modern calf binding with blind fillet, some rubbing and abrasion; endpapers renewed. Light toning and occasional foxing, with slight finger stains. Pale contemporary ink annotations appear in the margins of almost all leaves, possibly early manuscript numeration. Paper with a fleur-de-lys watermark in a circle surmounted by the letter M. A small circular red-brown unidentified collector's stamp is present in the lower outer margin of several plates, and a pencilled inventory number at the opening. Very good copy, with strong, well-inked impressions of the etchings and ample margins.
Dimensions (inches): 10 3/4 x 16 1/4 x 1/2
About the author
Giovanni Giacomo de Rossi (1627-1691), Roman print publisher at the Pace, issued this raccolta.
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