Cento favole morali by Verdizotti, Giovanni Mario: a distinguished excerpt from the 1577 illustrated wonders edition

Cento favole morali

€3.237,95 EUR
Sale price  €3.237,95 EUR Regular price 
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Cento favole morali by Verdizotti, Giovanni Mario: a distinguished excerpt from the 1577 illustrated wonders edition
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Illustrated fables by a pupil of Titian: 100+ woodcuts reveal an unexpected facet of Renaissance artistic brilliance.

Verdizotti, Giovanni Mario

Cento favole morali

De i più illustri antichi & moderni autori Greci & Latini.

1577, Venice, Giordano Ziletti

Third Edition

€3.237,95 EUR
Sale price  €3.237,95 EUR Regular price 
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Overview

Verdizotti, a close associate and pupil of Titian, authored both the texts and the woodcut images for this rare but renowned collection of fables, which stands as a high point of Venetian Renaissance illustration. The volume brings together one hundred moral fables, each accompanied by its own xylographic table, drawn from ancient and more recent sources and uniting Aesopic narrative with Renaissance humanist ethics. Animals, mythological figures, and exemplary characters appear within carefully constructed landscapes that reflect the artist’s background. The work enjoyed wide circulation and lasting success, owing to both the appeal of the texts and the quality of the illustrations, and it continued to be reprinted into the later seventeenth century. The present third printing corresponds closely in form and content to the first edition of 1570 and the second of 1575.

Inside the book

The book opens with a fine architectural title page with ornamental friezes and allegorical figures (including the river Jordan), the same border used in the previous edition. The prefatory dedication by the printer Ziletti to the reader is introduced by a full-page image of an Astronomer bearing the Latin motto (here translated): No one can be truly wise unless he rules over the stars. It is followed by an additional fable (bringing the total count to 101), which the printer chose to insert, with its own separate engraving, because he felt it particularly close to his heart: it tells of a man who, in trying to please everyone, ultimately brings about his own ruin and achieves no one’s happiness. The hundred fables proper begin on p. 16, and the volume then unfolds in finely composed pages set in italic type (with the “morale” at the end of each story printed in roman), accompanied by a multitude of clever, curious, dangerous, or foolish animals placed in unexpected situations. Mythological or supernatural figures also appear, alongside human characters. Bibliographies suggest that some of the woodcuts may derive from designs by Titian. The final index pages list all one hundred fables not only by their short titles but also with their moral lessons, underscoring the book’s serious educational purpose.

Why La Fenice likes it

It does not happen every day that one can enjoy the luxury of reading bedtime fables from a book centuries old, whose contents have not aged by a single day. Indeed, if youth lies in the ability to preserve the child within us, this book has remained young for 450 years. Verdizotti’s persuasive animals and simple symbols still address the not-so-young child inside us today just as they did in the Renaissance. This is the power and magic of good stories and images.

Condition Report

Pp. [1] f.e., [4], 301 (correctly 299, i.e. A1-T6), [6], [1] r.e.

Eighteenth-century morocco binding, with gilt fillet borders on the boards and a spine with five raised bands and a red leather label with the title in gold; gilt edges. The binding has been professionally restored to improve the structural soundness of the volume. Marbled endpapers. Woodcut headpieces and initials. Margins are slightly short, probably as a result of the eighteenth-century rebinding. On the title page, the usual wording in the lower margin, “con privilegio,” is lacking due to trimming. All 104 woodcuts are present: the engraved title page, the Astronomer, the illustration to the introductory fable (p. 11), and to the following 100 fables. Trimming at the upper margin occasionally affects the page numeration. Despite this, and thanks to the originally ample margins, both text and illustrations are in excellent condition. Woodcuts very fresh; a clean copy, bright and with well preserved paper. Overall a very good copy.

Dimensions (inches): 7 3/4 x 5 3/4 x 1

About the author

Giovanni Mario Verdizotti (1525-1600), Venetian nobleman, poet, and artist. Student and friend of Titian, possibly his secretary after Aretino's death.

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